AI video agency. Directed by people, made with AI.

An AI video agency plans, generates and finishes videos with AI tools for brands that do not want to run those tools themselves. A good one does more than press generate: it writes the script, sets a look that fits the brand, chooses and fixes every generated shot, and delivers finished files with the rights sorted. WowMakers is an AI video agency in Kochi, India, and a design studio since 2011, so the same team also handles the brand, the edit and the sound.

Ask four things. First, can they show finished AI work, not only tool demos, and walk you through one real project? Second, who directs it: is there a named creative lead who decides which shots stay? Third, what do they fix by hand, such as hands, on-screen text, faces and brand colours? Fourth, what does a finished second cost, and what is included? An agency that publishes prices and names its leads is easier to compare. Ours are on this page. WowMakers is an AI video production company in Kochi, India, inside a design studio that has worked with brands in India and abroad since 2011.

AI video production is making a film where AI tools generate the footage, images, voices or music, and people write, direct and finish it. At WowMakers our directors write the script, set the look, choose every generated shot and edit the film. AI does the generating; our team decides what is good enough to keep.

Ads and social cut-downs, UGC-style ads, microdramas, product films, explainers and app demos, training and onboarding (including process, compliance and IT-security training), customer-service and help-centre videos, internal and leadership updates, personalised sales videos, and regional-language versions of one film. It is now mainstream: 63% of video marketers have used AI to create or edit video, up from 51% the year before (Wyzowl, State of Video Marketing 2026). AI video suits briefs that need many versions, scenes a camera cannot easily reach, or frequent updates. For a brand film that rests on real people and emotion, a camera is often still the better choice.

Short AI ads and cut-downs start at $35 per finished second, so a 30-second ad starts at about $1,050. An AI-led 60-second ad film, product film or explainer starts at $85 per second, about $5,100. AI avatar or presenter videos run $1,200 to $4,000 for 60 seconds. Volume programmes of many videos from one look start at $20 to $25 per second. Longer films and series are quoted per brief. The price moves with length, creative complexity, versions and languages, schedule, and voice or music, so we give one fixed quote before work starts. We quote in rupees for clients in India: short AI ads start at about ₹3,000 per finished second.

A short AI ad usually takes one to two weeks, and a 60-second film two to three weeks. Our most recent long film, about six minutes, reached its first full draft three weeks after approval, and client review rounds took it from there to the final cut. Review time on your side is often the longest part.

Only if you want it to. AI still makes tell-tale mistakes with hands, on-screen text and faces, so our team checks the frames and sends the failures back. On our last long film, 58 of 74 frames failed one review pass. Some briefs want a stylised AI look on purpose; most want a film that simply looks good.

Google Veo, Runway and Higgsfield for video, ChatGPT Images, Nano Banana, Midjourney and Flux for images and style frames, Magnific for upscaling and detail, ElevenLabs and Cartesia for voice, and Suno for music drafts. We test new image and video models as they launch, switch when one does a job better, and pick per shot rather than per project.

You do. We transfer every right we hold in the finished film, under the same terms as our other video work. Copyright in purely AI-generated footage is still unsettled in some countries, so the parts our team makes, such as the script, direction, edit and sound, carry the strongest protection, and they transfer to you in full. Licensed music or voices keep their own licence terms, which we pass on with the files. We show a film in our portfolio only with your written approval.

We agree the number of review rounds in the quote, before work starts. You approve the script and the look before anything is generated, so most changes happen at the cheapest stage. On our last long film, the script went through four rounds before sign-off, and the client then reviewed the cuts. Extra rounds beyond the quote change the plan and the price.

We sign an NDA before you share anything sensitive. We keep a client's film private when they ask: the six-minute film we made for a GCC technology group is not public for that reason. We show a film in our portfolio only with your written approval.

Yes. We voice and subtitle one film in each language your audience speaks, with AI voices or human voice artists depending on the brief, and keep the visuals identical across every version.

Yes. An AI presenter suits training, onboarding, product updates and internal announcements, where you need the same face and voice across many videos. For a brand film or anything emotional, we usually recommend a directed AI film or a real shoot instead.

Often, if the product can be shown without real people on camera. AI lets you put the product in any setting, try several looks, and make many versions for different platforms at a lower cost per second. If the launch depends on real customers, a founder on camera or a live demo, a camera shoot is still the better choice. Many launches use both.

Yes. Since 2011 we have worked with clients in the US, the UK, Germany, Saudi Arabia, Qatar, the UAE, Bahrain, Oman, Singapore and Australia, as well as across India. Our studio is in Kochi, Kerala, and we work with clients abroad over video calls and shared review links.

A short brief: what the film is for, who will watch it, where it will run, and any brand guidelines, product images or footage you already have. We turn that into a script and a look for you to approve before anything is generated.

Yes. For programmes of many films or ads, we set one look and one template first, then produce the variations in batches, so the hundredth video still matches the first.